Amalgamated Segments Production II

Using the key frames of the pencil test of the sequence as a skeleton, a pane of glass was set up in a camera stand, to be painted and shot with the use of the animation software Dragon.  The scene was elaborated by painting each frame on top of the glass, using glycerine and two types of paint. The set up for the scene came to be very important, not so much the surface of the glass, but the lighting conditions provided the sought illumination in the image, as it enhanced the range of tones made possible by the paint. A couple of key details were important here, the focus of the light from underneath the glass, the other dimly lighting the superior right corner; and the other being the density of the paint and the brush strokes.
Following are some images of the painting process.